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“"Women who are completely free of all the shackles that restrain them have no place in the world". As per the musings of many misogynistic critics during its release, "Thelma & Louise" has long secured its position as a "feminist road movie" in celluloid history, but boxing the film into any cat” read more
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“Utilising a distinct brand of double entendre-laden humour and exemplary gothic settings, quotable dialogue and general absurdity, "Carry On Screaming!" parodies the mad doctor, vamp and mute, hirsute, and imposing physicality of monsters from the Universal era, derives its major plot points from "H” read more
“Like any patchy horror firmly ensconced in its typically oblique premise and perfunctory reliance on style over substance, "From Beyond" expands on H.P. Lovecraft's story and applies the tacit, condensed conceit of its source to an amorphous, low-budget visual smorgasbord of gore and special effects” read more
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“Manoeuvring the revenge western template into modern day North West England, Shane Meadows' achieves this with voracious execution, deriving its palpable imagery and themes from fervently violent predecessors "Taxi Driver" and "High Plains Drifter", all the while measuring up to such influences even” read more
“Arriving precipitously placed in the shadow of its well-executed, subversive predecessor, "Get Out", Jordan Peele's multi-layered take on the adage "we are our own worst enemies" does fall short of eclipsing its edgier forerunner but succeeds in its scathing exploratory attack on the hypocrisies and” read more
“Somewhat innovative, tempered and imprecise in its amalgamation of horror and comedy, "An American Werewolf in London" nevertheless succeeds in its all of its impenitence and so-real-it's-surreal tonality. Chiefly appreciated for its visceral horror and gross-out effects suffused with anxious exis” read more
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